- 데 스틸(De Stijl) 사조의 건축특성에 관한 연구
- A Study on the Architectural Characteristics of De Stijl Style
- ㆍ 저자명
- 김흥섭,Kim. Heung-Seob
- ㆍ 간행물명
- 한국실내디자인학회 논문집
- ㆍ 권/호정보
- 2005년|14권 6호|pp.29-36 (8 pages)
- ㆍ 발행정보
- 한국실내디자인학회
- ㆍ 파일정보
- 정기간행물| PDF텍스트
- ㆍ 주제분야
- 기타
The original members of the De Stijl group, formed in neutral Holland during the First World War, included the painters Piet Mondrian, Bart van Leck and Theo van Doesburg, and the architects J.J.P. Oud and Jan Wils. The aim of the group was to create a language of form and color applicable to every sphere of modern life. The means of expression selected by the De Stijl artists was rigorously restricted, using only vertical and horizontal lines with the right-angle created where they cross, and for color, black, white and the primaries- red, yellow and blue. Of these simple elements consisted the compositions painted by Mondrian and van Doesburg during the years around the end of the First World War, and the famous red-blue chair made by Gerrit Rietvelt in 1917. They did share a common influence, Cubism, and they both emphasized contemporaneity. Otherwise they were quite different movements, both in theory and practice, except lot one further point of similarity.