The purpose of this paper is to compare linguistic features of meter in Amoretti and Sonnets from the Portuguese. Amoretti was composed in the 16th century and Sonnets from the Portuguese in the 19th century. Two poems are very strict in satisfying $^*<_I$(LS that makes a lexical stress matched on a strong position. But they allow a peaked monosyllabic word to be matched on a weak position only if it does not violate $^*(dot{sigma};{sigma})$. Syntactic inversions which are found in two poems occur to satisfy metrical constraints and rhyme. Particularly, syntactic inversions for rhyme are mainly found in Amoretti, but are rare in Sonnets from the Portuguese which includes many enjambment lines. Furthermore, this paper shows that syntactic inversions can be explained by the interaction of constraints, such as metrical constraints, SCI, and Binary Foot.