In the three aspect of the creation of the painting image, ‘ShenSi’ led to the inquiry of the artistic ‘Formative Mechanism’ which induces ‘inner stroll.’ First, in the 'Storytelling: formative mechanism of visualization of Literary Imagination', the formative mechanism of the literary figure is considered as a concrete visualization of the pictorial image. Second, Black: the formative mechanism of 'harmony of water, ink, and brush' pursues the nature of objects by drawing the philosophical thoughts of the Taoism and Zen Buddhism. Third, ‘Image: a complete image that guarantees the possibility of change' is the work of providing the foundation of the thought through the internal principle. These formative mechanisms were the formative methodology to induce communication between ancient and modern people beyond the time and space as well as the creator and the appreciator in Eastern painting.