Dance art has been changing and developing for a long time. As the general definition of dance, “The idea and the emotion are expressed by the body.” Original dance takes the shape of composite art through exchange and fusion with other fields by grafting or using other various factors of the performance like the music, stage, lighting, dress, makeup, video, and set to increase the expression. From a technical aspect, today's dance art would be defined as “high-tech dance art”. This is a natural phenomenon as a result of the development of art technology and the attempted efforts to express and communicate the work of the dancer with the audience. Considering this aspect, effective use of various factors of the performance have contributed a great deal to narrowing the distance between the audience to express the idea and emotion of the dancer. To express the idea and emotion of the dancer and share it with the audience, the primary goal would be a ‘dance script.’ Though the dance has a history of many years, the dance script does not. This definition was used after modern times in Korea and did not last much longer. However, it is clear that the dance script has become one of the parts of dance art and will continue to develop. Nonetheless, there is no study of the definition, role, and analysis of the dance script because of the lack of understanding of dancers and institute officials. In the present study, I defined the dance script and discussed its role according to the patterns. The dance script is defined as, “The product of the text work of minimal form to organize dance art and the start of image work to express the ideas and emotions of the dancer by body motion, performing the expression and sharing it with the audience.” Dance is the art of body motion and the external expression of the idea and emotion of the dancer. Therefore, the dance script is characterized as picking out the expression pattern and emblematic image and making it implicit with the intention of the dancer. Like a design drawing, the dance script can be changed according to the characteristics and ability of the dancer, suggesting its variability in form. Because the dance script has no simple regulation of its form or system, it uses expression that can cover the ideas and emotions of many dancers or authors, and thus the dance script can be variable. The dance script is roughly classified into three types: a poem form, storytelling form, and remodeling form. The poem form is an implicative, figurative, and metaphorical expression of the idea and image of the dancer; the storytelling is a detailed and realistic expression of the synopsis; the remodeling form lists the main points or words by the numbering system and the type of summary. The poem is the most used form in the dance script, because it shares implicative, figurative, and metaphorical characteristics of expression. The storytelling from has recently been used for the trend of improving the understanding of the audience. The remodeling from possesses the characteristics of the storytelling form and the summarized pattern, including implicative, figurative, and metaphorical expressions. The dance script, as the meaning and role of ‘the guide,’ ‘the suggestion,’ ‘the design,’ and ‘the foundation,’ suggests effective ways for the sharing and communication of the direction between dancers and experts as a collaborator in complicated and specialized processes. And as a transmission source, it provides not only the sentence but also the implicated intent of the dancers and authors towards the image of the work. Therefore, further study about the dance script is needed.