- 통합예술로의 연극공연의 무대기호에 관한 연구
- The Study of Stage Semiosis of theatre performance in Integrated Art
- ㆍ 저자명
- 강양은
- ㆍ 간행물명
- 모드니예술KCI후보
- ㆍ 권/호정보
- 2017년|14호(통권14호)|pp.82-98 (17 pages)
- ㆍ 발행정보
- 한국문화예술교육학회|한국
- ㆍ 파일정보
- 정기간행물|KOR| PDF텍스트(0.66MB)
- ㆍ 주제분야
- 예체능
The theater is an art that combines the several systems of stage semiosis such as the functionality and mobility of the stage sign in the literary dramatic text. Performance involves theatre as a material object, the phenomenal field. The stage semiosis is composed of many sign systems described in the text. The words of a spoken text are an element of a theatrical performance and its numerous nonverbal signs are a constituent to carry messages as an integrated art that are the vital to the meaning of a play. It is a theatrical icon, symbol, sign, code, connotation, index, etc. more than text itself according to the textual analysis of performance. The semiosis is actors, their voice and gestures, lighting, music, the stage decor, costume, and makeup that are some of the means of communication in history, society, culture and personality that complement a play's dialogue and on occasion replace it all together artistically, technically and sensuously. The understanding and analysis of a play from a semiotic viewpoint consider that everything on a stage functions as well as various system of communication as a sign. The semiosis stands out as most significant in even more 21th century, and its role of an integrated art as the theatrical sign unit with its optimistic and positivistic implications in a stimulating, revolutionary, coherent and innovative message with more traditional categories. Its new approach and discovery describes the peculiar ingredient of the meta-theoretic or meta-semiotic performance.
Ⅰ. 서 론 Ⅱ. 무대기호의 종류 Ⅲ. 실질적으로 공연된 현장에서의 무대기호 Ⅳ. 결 론 참고문헌